July 28, 2016Comments are off for this post.

Elders of Baltimore


is a social media platform that fosters real-life intergenerational connections through storytelling. Elders of Baltimore seeks to celebrate, honor, and bring recognition to Baltimore’s elder citizens across race, class, and community divides by inspiring personal connections, and existing as a widely accessible public archive of the artifacts of those experiences.

Baltimoreans of all ages are encouraged to spend time with their elders, ask to hear their stories, and to listen closely. Photos and brief anecdotes or quotes related to these experiences can be submitted to eldersofbaltimore@gmail.com to be considered for publication on the Elders of Baltimore Instagram account, and also in print via local print media. Instagrammers should follow elders.of.baltimore to see all of the wonderful posts!

Who are elders? Elders are senior citizens. They are grandmas, grandpas, great aunts and uncles, cousins, friends, and neighbors. They are treasures.    

Artists Ashley Minner and Sean Scheidt conceived of Elders of Baltimore while working on a related storytelling project, their photo essay The Neighborhood Changed: A Collaboration, featured in the current issue of the Bmore Art Journal of Art + Ideas. In an attempt to piece together a greater narrative of change in East Baltimore over the years, Ashley and Sean collected individual stories from a wide cross-section of residents. They started by interviewing their own elder family members and other elder loved ones. They made Instagram and Facebook posts about this experience which received a lot of attention. They so enjoyed interviewing these elders in particular, and the elders had such a good time sharing their stories, the team since decided to use social media to promote similar interactions across the city.

“Stories help us to realize how connected to each other we really are,” says Ashley who, like Sean, was amazed at the amount of overlap between the stories, both generationally and geographically. “And Baltimore is a special place,” adds Sean. “The lived experiences of the elders of this city inform our lived experiences here today.”

The team especially enjoys the notion of subverting social media to encourage real-life connections. Sean says, “The Instagram posts are really just artifacts of the true process we are trying to inspire.” Yet the team has also been careful to partner with local print publications so that the stories are more widely accessible than just social media. “Not everyone is glued to their phones like we are,” says Ashley. “We want everyone to be able to see what is published.”

The team pitched their idea for Elders of Baltimore to the Warnock Foundation Baltimore Social Innovation Journal. They were chosen as Spring 2016 Innovators and were funded $1000 seed money to begin the project. Ashley and Sean plan to publish one story per day for the first week after the launch of the account, and at least one story per week thereafter. They will turn administration of the Elders of Baltimore project over to another pair of artists in January 2017.

Elders of Baltimore has been featured in The Baltimore Sun and the Baltimore Post-Examiner!

Special thanks to our friend Jess of JWatson Creative for our fabulous logo design!

July 28, 2016Comments are off for this post.

The Neighborhood Changed: A Collaboration

Ashley Minner and Sean Scheidt recently collaborated on a photo essay for the second print edition of Bmore Art: A Journal of Art + Ideas, themed "Money." Their essay, entitled The Neighborhood Changed: A Collaboration, features short stories told by a wide cross-section of East Baltimore's residents in an attempt to form a larger story of gentrification that has taken in the neighborhoods over the years.

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Interviewees include Alan Scheidt, Marion McDonagh, Francis Stokes, Barbara Mikulski, George Vasiliades, Minnie S. Maynor, and Jose Miguel Luna.

Essay by Ashley Minner, Photos by Sean Scheidt. Purchase your copy via the Bmore Art website for $15 today.

Watch Bmore Art online in the meantime, fuller versions of the stories published in the magazine are forthcoming.

November 27, 2015Comments are off for this post.

Fresh Paint on the Baltimore American Indian Center

An interview I did with Lumbee artist Dean Tonto Cox Sr. about his recent work on the historic mural at the Baltimore American Indian Center, featured on the Bmore Art Blog. Check it out!

Admiring his work 2

June 3, 2015Comments are off for this post.

Exquisite Lumbees Featured on Bmore Art Blog

Check it out!

Text by Jeremy Locklear, Digital Photograph by Sean Scheidt, 28 ¾ x 20 ½“ 2010

Text by Jeremy Locklear, Digital Photograph by Sean Scheidt, 28 ¾ x 20 ½“ 2010

February 13, 2015Comments are off for this post.

Letitia VanSant & the Bonafides Album Release Show with Potluck Storytelling

2E3B0591

Get your tickets now for the Feb. 27 release of Parts & Labor, the second album from the brilliant Letitia VanSant (leh-tih-sha) at The Creative AlliancePotluck Storytelling is teaming up with the Bonafides for this show, which will feature performances of songs from the album, interspersed with personal stories about labor and the economy by Kalima Young, Ashley Minner, Joe Hamilton, and Mike Barton.

Presented in partnership with the Charm City Bluegrass & FolkFestival.

8PM, $15, $12 MBRS. $18, door

Discount tickets for those who need them are available on a first-come, first-serve basis — email letitiavansant@gmail.com.

Purchase tickets

December 2, 2014Comments are off for this post.

Dr. Roxanne Dunbar-Ortiz, Ashley Minner and Gyasi Ross on the Marc Steiner Show

Native American Perspectives On Ferguson Decision & Thanksgiving

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November 26, 2014 – Segment 2

As we look to the Thanksgiving Holiday, we host a Native American Roundtable. Our guests share their perspectives on Thanksgiving and also reflect on the Ferguson Grand Jury decision. With: author, historian, feminist, and self-described revolutionary Dr. Roxanne Dunbar-Ortiz, author of An Indigenous Peoples’ History of the United States; writer, entrepreneur, and attorney Gyasi Ross, member of the Blackfeet Tribe, whose newest book is How To Say I Love You In Indian; Ashley Minner, community artist, member of the Lumbee Tribe of North Carolina, and Founder of the Native American After School Art Program.

December 2, 2014Comments are off for this post.

Carlton Turner, Ashley Milburn and Ashley Minner on the Marc Steiner Show

West Baltimore: Looking Back, Looking Foward

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October 24, 2014 – Segment 4

We close out the show with a discussion of ROOTSfest and an event reflecting on it, with: Carlton Turner, Executive Director of Alternate ROOTS; Ashley Milburn, Artist and Co-founder of Culture Works; and Ashley Minner, Community Artist and member of Alternate ROOTS Executive Committee.

October 9, 2014Comments are off for this post.

Hard Workin’ Pilgrims Come Home to BAIC

BALTIMORE, MARYLAND The Baltimore American Indian Center Heritage Museum proudly presents Hard Workin’ Pilgrims: Lumbee Indians in Baltimore City Industry. The exhibit, which features photographs, oral histories and material cultural artifacts of Baltimore’s first generation of Lumbee residents, opened on October 4, 2014.

On Saturday, October 11, 2014 there will be a reception and panel discussion with Lumbee Elders from 1:00 to 5:00 p.m. (panel 2-3 p.m.).

John Walker

John Walker (Lumbee) shines his truck, which was leased to Cycles Limited. Baltimore, 1960's

Previously at the Baltimore Museum of Industry, please join us to welcome this exhibit home to the heart of our community, the Baltimore American Indian Center Heritage Museum.  Admission to the reception and panel discussion is FREE to the public. Admission to the Museum during the month of October is FREE in connection with Free Fall Baltimore.

This exhibit and public program was funded by the Maryland State Arts Council Maryland Traditions Program and the Baltimore Office of Promotion and the Arts.

Museum hours are Thursdays and Saturdays 11 a.m. - 4 p.m.  The Heritage Museum is located within the Baltimore American Indian Center at 113 South Broadway Street Baltimore, Maryland 21231. Street parking.

October 9, 2014Comments are off for this post.

Baltimore’s Exquisite Lumbees Go Home to Carolina

10 of the Exquisite Lumbees portraits have a new home in the Southeast American Indian Studies Program at the University of North Carolina at Pembroke. A big THANK YOU goes to my friend, Mr. Lawrence Locklear (Lumbee), the Coordinator of SAIS at UNCP.

SAIS UNCP

Mr. Craymon Strickland Sr. (Lumbee) assisting with installation at UNCP

Learn more about the history of our Tribal College by watching this video:

Or by reading Lawrence's book, Hail to UNCP! A 125-Year History of the University of North Carolina at Pembroke